In the third episode of Series 8 (written by Mark Gatiss), The Doctor reluctantly takes Clara to Sherwood Forest to find Robin Hood (whom The Doctor insists is a myth)...The underlying theme of the episode, of course, is that The Doctor refuses to believe that a fairy tale hero could be real, even though he, himself, is a fairy tale hero.

Today I'm reviewing 'Into the Dalek', the second episode of series 8, written by Phil Ford and Steven Moffat. .... this Doctor seems to be taking a completely pragmatic approach to things, and I quite like the change in direction. He seems to be the only character undergoing any real form of well thought out development, and once again, Capaldi nails the performance. 

For the most part, I really enjoyed it. It was funny, there were plenty of references for long time fans, nods to past Doctors, and Moffat even cleverly touched on a lot of questions people had expressed about Capaldi's casting. I felt that the scenes with The Doctor in the alleyway with the tramp were some of the most poignant scenes in the whole episode. His disorientation was both amusing and troubling; you really felt for him as he tried to piece together who he is. 

Celebrated writer Neil Gaiman returns to DOCTOR WHO in the run-up to the Series 7, Part 2 finale. And, this time, he's left the wife behind and brought the Cybermen with him. A lot of them.

It's back to the Victoria Period in Mark Gatiss's second episode for Series 7, Part 2.

Yorkshire. 1893. As the number of deaths attributed to the mysterious "Crimson Horror" climbs, the ever-inquisitive Doctor and Clara find themselves prisoners of the charismatic Winifred Gillyflower's Sweetville...